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When Brendan turns 18, he reaches out to his biological father for the first time in hopes of joining the family business, The Mob.

A syndicate mob boss doesn't realize that his eldest son, Gep, has been informing to the police on the family's dealings in exchange for protection, while Gep's younger brother, Phil, a bank vice president, tries to separate himself from the family's business.

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Meet the Duncans, a prominent family from Jamaica, Queens. By day, they’re an upstanding family; by night, they live a dangerous secret life.

The Templeton brothers — Tim and his Boss Baby little bro Ted — have become adults and drifted away from each other. But a new boss baby with a cutting-edge approach and a can-do attitude is about to bring them together again … and inspire a new family business.

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.

This four-part made-for-TV drama focuses up close on a Dublin couple with four children. Charlo is a hustler, a head-first footballer, a thief, abusive. Paula drinks, objects to Charlie's thievery and adultery without the will to chuck him out. John Paul worships his father who's initiating him into the world of beer and football but recoils at Charlo's treatment of mum; asthma and misbehavior at school follow. Daughter Nicola is a young woman, starting work in a garment factory. When Charlo begins to stare at her, she's frightened and Paula's furious.

The Spencer family live in a working class estate in Dublin.

The lives of the middle-class Lawrence family in Pasadena, California.